Hello Cherries! What seems like an easy topic can get a little confusing. In the graphs you have a G Major and G Minor pentatonic scale. Both pattern 1. You have 4 more patterns all starting from the G root "parallel pent scales." If you play the G Maj pent pattern 1 starting on the 6th degree and play the same notes within that pattern you have the "E relative min." That's E min pent "pattern 2." The same is true for the G Minor Pentatonic. You can play the same scale from b3rd degree and play the same notes within that pattern you have the "Bb relative maj." That's Bb maj pent "pattern 5." This seems a little tricky but good to understand. What I think is easier and more useful for actually playing is to see both maj and min patterns as part of the CAGED chord shapes. Both shapes of the graphs fit perfectly over it's respective E major or minor shaped G chord. In this video I show easy examples of all of this. "Let's get clear." Enjoy the video and have a great weekend Everybody.
Identifying The Triads Within Each Major Pentatonic Shape
Hello Cherries! Have you ever tried to find the Triads within the Pentatonic Shapes 🤨 Triads are groups of three notes (root, third, and fifth) 🧐 By identifying these triads, you can create more melodic and harmonic lines. In this ⬇️ NEW VIDEO ⬇️ I go through all 5 Major Pentatonic Positions, 1 string set at a time. Within these positions were going to play the Major Pentatonic Scale and find the triad within the string set. I offer a FREE PDF of all the graphs that I created for this video. This exercise opens up the fretboard for improvement better than anything I know 🎸 Enjoy the video and have a great weekend everybody 😊
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