Hello Cherries! Matching triads to the CAGED system breaks large, bulky open-chord shapes down into smaller, three-note chunks (root, 3rd, and 5th) that map directly across the fretboard for melodic soloing. A great exercise would be to pick a position on the fretboard and play a 1-4-5 progression. Just 3 chords in G. You have a G, C, and D chord. Play the top parts of the 3 chords only on the top strings. We'll call that the 1st string set. You'll have 3 triads right next to each other. From there you can easily see how the 3 notes from each chord blend into each other. Sometimes they'll share a note. Don't stop there. Take it to the next string set. 2nd, 3rd, and 4th string, and so on. Then move the 3 chords to another position. You'll notice the the chord and triad shapes repeat but the chords themselves change. I go over all of this here in this new video. Please check it out and have a great week Everybody.
Identifying The Triads Within Each Major Pentatonic Shape
Hello Cherries! Have you ever tried to find the Triads within the Pentatonic Shapes ๐คจ Triads are groups of three notes (root, third, and fifth) ๐ง By identifying these triads, you can create more melodic and harmonic lines. In this ⬇️ NEW VIDEO ⬇️ I go through all 5 Major Pentatonic Positions, 1 string set at a time. Within these positions were going to play the Major Pentatonic Scale and find the triad within the string set. I offer a FREE PDF of all the graphs that I created for this video. This exercise opens up the fretboard for improvement better than anything I know ๐ธ Enjoy the video and have a great weekend everybody ๐
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